
Winter’s Waltz (Joseph Morel, 2020) – Review
Joseph Morel’s dissertation film builds brilliantly on his other work to date. Continue reading Winter’s Waltz (Joseph Morel, 2020) – Review
Joseph Morel’s dissertation film builds brilliantly on his other work to date. Continue reading Winter’s Waltz (Joseph Morel, 2020) – Review
Tackling the best film from the confusing career of Robert Zemeckis. Continue reading Allied – Robert Zemeckis’ Moment of Glory
Looking at Renkovish’s Fugue and what it says about modern digital filmmaking and loss. Continue reading Fugue (Steven Adam Renkovish, 2017) – Review
The second feature from the son of David Cronenberg shows the influence of his father, but also takes the inspiration in an entirely new direction. Continue reading Possessor (Brandon Cronenberg, 2020) – Review
Today, we look at the political perspective of Clint Eastwood’s controversial film, Richard Jewell. Continue reading Richard Jewell (Clint Eastwood, 2019) – Review
“We only see what we look at. To look is an act of choice.” – John Berger Continue reading A Night of Soap Water (Raghu Pratap, 2020) – Review
Abel Ferrara ends his fiction-film hiatus by confronting his inner demons like never before. Continue reading Tommaso (Abel Ferrara, 2019) – Review
It seems that this one has been a little overlooked, so let’s give it a closer look! Continue reading Diary of the Dead (George A. Romero, 2007) – Mini Review
Taking a look at the classic miniseries Roots, what it says, and what those meanings mean to a contemporary audience. Continue reading Roots (1977) – Miniseries Review
This post looks as Spike Lee’s epic masterpiece and the lasting impact of Malcolm X. Continue reading Malcolm X (Spike Lee, 1992) – REVIEW